Moral cowardice and Mohammad: Get Religion November 2, 2011 November 2, 2011Posted by geoconger in Free Speech, Get Religion, Islam, Persecution, Politics, Press criticism.
Tags: Charlie Hebdo, Daily Mail, Jyllands-Posten, Le Nouvel Observateur, Sharia Law
Get ready GetReligion readers for a new round of righteous indignation, moral cowardice and sloppy reporting about Islam. There will be a cartoon of Mohammad — quelle horreur — on the cover of the French satirical journal Charlie Hebdo. The magazine is set for distribution on newsstands today, 2 Nov 2011.
My colleagues at GetReligion have written extensively about reporting on images of Mohammad. Articles on Everybody Draw Mohammad Day, South Park, and the Jyllands-Posten cartoons have raised questions about the quality of reporting and unwarranted suppositions about Islam. And although we are only in the first days of this news cycle, the same errors, moral cowardice and surrender to the forces of religious extremism and censorship are cropping up in this latest cartoon controversy.
The editors of Charlie Hebdo — a lowbrow political humor magazine akin to Private Eye — held a press conference on Monday in Paris to announce that the Muslim prophet Mohammed would be this week’s guest editor and the magazine renamed “Sharia Hebdo” for this issue in honor of the occasion.
The French wire service AFP filed this dispatch from the front lines following the press conference:
“In order fittingly to celebrate the Islamist Ennahda’s win in Tunisia and the NTC (National Transitional Council) president’s promise that sharia would be the main source of law in Libya, Charlie Hebdo asked Mohammed to be guest editor,” said a statement.
The weekly has been rebaptised Sharia Hebdo for the occasion, and will feature on its cover a picture of Mohammed saying: “100 lashes if you don’t die of laughter!”
On the back page, a picture of Mohammed wearing a red nose is accompanied by the words: “Yes, Islam is compatible with humour.”
The cover was circulating on social media such as Twitter on Tuesday, with many users incensed and describing it as “puerile”.
The weekly’s publisher, known as Charb, rejected accusations that he was trying to provoke.
“We feel we’re just doing our job as usual. The only difference is that this week, Mohammed is on the cover and that’s quite rare,” he told AFP.
Le Nouvel Observateur — a Paris-based weekly with a circulation of over half a million, it is generally considered the most prominent French-language general news magazine (think Time in its heyday) — ran a story late Monday evening (with a photo of the offending cover) on its website under the title “Quand ‘Charlie Hebdo’ devient ‘Charia Hebdo’.” This story drew upon the original AFP report for the details, and added a few color quotes from French social media sites. By the end of the day about two dozen French-language newspapers and broadcasters had their own stories up on the cartoon controversy — with most displaying the cartoon. And being France, opinions ran the gamut from praise to condemnation.
The story began to spread and at midnight Eastern Daylight Time on Monday night the Worldcrunch news service posted a translation of the Observatuer story illustrated with a copy of the offending issue. However, within hours the Mohammad cartoon disappeared. The article was now illustrated by by picture of a back issue of Charlie Hebdo. Was it copyright concerns or cowardice that led to the spiking of the cartoon?
English language stories began to appear but without the cartoon. The BBC ran a brief item by midday. The Telegraph ran first the AFP story and then its own re-write. By day’s end, the Daily Mail ran the first detailed report entitled “French satirical magazine set to spark outrage by naming Prophet Mohammed as editor-in-chief”.
The Daily Mail’s story was robust, damning both the French and radical Islam (no surprise there). It led with: “A leading French magazine is set to provoke fury around the world by calling itself Sharia Weekly and pretending that the Prophet Mohammed is editing it.”
The article set the scene well, but closed badly:
Islamic law forbids any depiction of the prophet, even positive ones, to prevent idolatry.There are some six million Muslims living in France – the largest group of its kind in western Europe. While many have welcomed the fall of despots like Muammar Gaddafi following the Arab Spring revolts, many fear that they will be replaced by extreme Islamist governments.
There may not have been space available to flesh out the consequences of Muslim reactions, or to touch upon the past cartoon controversies. The story would have been improved with a word or two on this point. But it too played the coward, running a cover from a back issue of Charlie Hebdo instead of the Mohammad cover to illustrate the story.
And no, Islamic law does not forbid depictions of Mohammad. As my colleagues at GetReligion have pointed out there is no one Muslim law, nor common view on this topic. Here is a gallery of Mohammad images in Western and Turkish art collections.
Silenced, a 2011 book on the collision between Western concepts of free speech and Islam by Paul Marshall and Nina Shae notes:
There are numerous representations of Muhammad in historic Muslim art. Such works are housed in the Smithsonian, the Metropolitan Museum of Art, and Istanbul’s Topkapi Palace. Images of Muhammad appeared in illuminated manuscripts dating from as early as the thirteenth century and as late as the eighteenth century.
Sunni Islam, in modern times, has prohibitions against depicting the Prophet or his companions. Sunni theologians at Al-Azhar University continue to prohibit his portrayal, as does the Muslim Brotherhood, and iconoclastic theology has been promoted with particular vigor by the conservative Wahhabi sect, supported by the Kingdom of Saudi Arabia. Shia tradition is less stringently opposed to such depictions. Ayatollah Ali al-Sistani of Iraq, a prominent Shia cleric, suggests on his website that portraying the Prophet is not problematic as long as the depiction is respectful. A primary reason for barring images of Muhammad is the prevention of idolatry…
Yes, I agree the Charlie Hebdo cartoons are puerile. But aesthetic considerations should not be grounds for censorship. Gustave Doré illustrations of Mohammad for Dante’s Inferno are as offensive to the Wahhabist Muslim as is Charlie Hebdo’s juvenile stunt. Nor am I persuaded that the self-censorship on display is intellectually or morally credible.
In 2009 the Yale University Press cancelled the publication of a scholarly book on the Mohammad cartoons after the school’s administration intervened. The university defended its cringing cowardice in a press release. While Yale was “institution deeply committed to free expression” publishing cartoons or “other illustrations of the Prophet Muhammad” ran “a serious risk of instigating violence.”
Writing in Slate, Christopher Hitchens deplored Yale’s mendacity and its misuse of the word“instigate”. One instigates violence by actively encouraging and abetting it, not by engaging in lawful acts of communication. Lawful or innocent actions can spark violence. But society is not subject to mob rule. Maintaining public order is why we have police forces.
This story may have legs. French President Nicolas Sarkozy will have a tough time winning reelection in 2012. The Socialist challenger François Hollande is playing on economic discontent in France, and is touted to win. However, if the latest Mohammad cartoons spark rioting in the Muslim banlieues, it will be a political gift to Sarkozy (as well as to Marine Le Pen of the National Front).
European Muslim militants have manufactured outrage about Mohammad cartoons in the past — remember it was not until a group of Danish imams toured the Middle East complaining about the Jyllands-Posten Mohammad-with-a-bomb-in-his-turban cartoon that rioting ensued. Danish embassies were attacked and a trail of murder and mayhem spread across the Muslim world that ultimately left some 200 people dead. The Assad regime and the Muslim Brotherhood, among others, have facilitated riots over past cartoons. Whether it is in their political interests to do so now is a calculation that will be made in the coming days.
In his 1946 essay, “Why I Write”, George Orwell stated, “every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism.” This is the duty of a free press. Though Stalinism and Fascism no longer have a place in Western intellectual life, the cant, hypocrisy and moral dishonesty they represented remain part of our intellectual and philosophical lives. And it is in this work, in challenging the orthodoxies of left and right, that journalism achieves its moral purpose.
Does the omission of Mohammad cartoons serve this moral good? No, it does not.
Addendum: In the hours between writing this story on Tuesday evening and publication on Wednesday morning the Charlie Hebdo story entered a new phase. The offices of the magazine were fire-bombed early this morning. No group has yet claimed responsibility or other actions against the magazine or its distributors been reported so far.
First published in GetReligion.